11/16/2023 0 Comments Wonder woman 2011And so I knew that ultimately you’re gonna have to make big choices and act your ass off in some instances. What threw me off in the best of ways was that I saw a real creative challenge, which isn’t necessarily what you would expect if you’re going to do a superhero movie. It was more sort of like a process exercise, realizing that there isn’t any one thing that I always do. You know what I mean? Was this a character exercise for you, or more of an artistic exercise? It’s just a way to sit and sort of like meditate on it. But one of the practical ways that I chose to focus, essentially, was making like a ridiculous sort of book out of my script. I remember feeling a little work weary going into “Wonder Woman,” but I also knew that to work with Patty, you can’t be weary, or you use that weariness and push it to its ultimate limits, so that there’s always this sort of like brimming vulnerability to working with her. But I just got it out of storage, strangely. Listen, I promise you that I did not plan this. Oh my gosh, it’s sitting right next to me. Obviously, in this case, the ’80s version in this, like, you know, brilliant… But my first introduction to the character was Patty and Geoff’s script, and there was such a very specific vision to the kind of character that he is in this telling of “Wonder Woman.” And then I started to understand the different, generational versions of Max Lord, and which ones to lean into. I think that once I started to research, it started to ring a small bell. Were you familiar with all of that when when you got the role? Maxwell Lord in the comics has a very storied history, one of these sort of villainous characters who weaves in and out of a lot of different storylines. Pascal also discussed his childhood consuming American pop-culture, his appreciation for Jenkins’ ’80s-soaked aesthetics for “WW84,” and his first experience on a “Wonder Woman” project: David E. In this excerpt from Pascal’s interviews for Variety‘s October cover story on the actor, the 45-year-old revealed over Zoom the surprising methodology he used to attack the role of Max Lord, a self-described “television personality and businessman” whose desperate drive for constant success puts him at odds with Gal Gadot’s Diana Prince.
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